@article {2727,
	title = {Hijabers: How young urban muslim women redefine themselves in Indonesia},
	journal = {International Communication Gazette},
	year = {2014},
	abstract = {This paper analyzes the dissemination of {\textquoteleft}Hijaber{\textquoteright} style through different forms of cyber media (blogs and social network sites) in order to determine how young, computer savvy Muslim Indonesians explore their gender and religious identities while working in the {\textquoteleft}creative economy{\textquoteright} through cyberspace. This article shows the plurality and flexibility of the Hijaber trend{\textemdash}compared to more conventional forms{\textemdash}and explores its significance for urban Indonesian youth.},
	url = {https://journals.sagepub.com/doi/10.1177/1748048514524103},
	author = {Beta, Annisa R}
}
@article {2725,
	title = {Holy selfies: Performing pilgrimage in the age of social media},
	journal = {The International Journal of Information, Diversity, \& Inclusion},
	year = {2018},
	abstract = {In this article, we examine the selfie-taking and sharing practices of Muslim pilgrims in Mecca, Saudi Arabia. We introduce the concept of the {\textquotedblleft}holy selfie{\textquotedblright} (a selfie taken during either theHajj or the Umrah pilgrimages) and report on a visual content analysis of a sample of 100 holy selfies publicly available on social networking platforms. We seek to reach an understanding of the work that holy selfies do in the context of the expressions of spiritual and religious identity of those producing them. Our findings suggest that the embodied experience of pilgrims at the holy sites finds an expressive release through holy selfies, with many pilgrims viewing selfie-taking as an important part of their journey. The selfies (and associated features) capture and document pilgrims{\textquoteright} experiences, contribute to their meaning-making, enable the sharing of memories with loved ones, and attract online followers. Our study provides a picture of how holy selfies blur the gender line (as many males as females take them), emerge despite the opposition of Saudi authorities, and serve as a means of engaging with a multiplicity of audiences. We seek to start a conceptual and methodological conversation about this emerging phenomenon of identity construction involving the use of new media along with the construction of affiliative identities among geographically dispersed communities of Muslim pilgrims. The taking of holy selfies can thus be read as a tactic used by 21st-century Muslims to create opportunities for self-representation and community building in a context of increasing Islamophobia.},
	url = {https://jps.library.utoronto.ca/index.php/ijidi/article/view/32209},
	author = {Caidi, Nadia and Beazley, Susan and Marquez, Laia Colomer}
}
@inbook {374,
	title = {How Religious Communities Negotiate New Media Religiously},
	booktitle = {Digital Religion, Social Media and culture: Perspectives, Practices, Futures},
	year = {2012},
	pages = {81-96},
	publisher = {Peter Lang},
	organization = {Peter Lang},
	address = {New York},
	abstract = {This lively book focuses on how different Jewish, Muslim, and Christian communities engage with new media. Rather than simply reject or accept new media, religious communities negotiate complex relationships with these technologies in light of their history and beliefs. Heidi Campbell suggests a method for studying these processes she calls the "religious-social shaping of technology" and students are asked to consider four key areas: religious tradition and history; contemporary community values and priorities; negotiation and innovating technology in light of the community; communal discourses applied to justify use. A wealth of examples such as the Christian e-vangelism movement, Modern Islamic discourses about computers and the rise of the Jewish kosher cell phone, demonstrate the dominant strategies which emerge for religious media users, as well as the unique motivations that guide specific groups.},
	keywords = {communities, New Media, religion},
	url = {http://books.google.com/books?id=UykFd5cBsrYC\&printsec=frontcover$\#$v=onepage\&q\&f=false},
	author = {Campbell, H.}
}
@article {2797,
	title = {How the iPhone became divine: new media, religion and the intertextual circulation of meaning},
	journal = {New Media \& Society},
	year = {2010},
	abstract = {This article explores the labeling of the iPhone as the {\textquoteleft}Jesus phone{\textquoteright} in order to demonstrate how religious metaphors and myth can be appropriated into popular discourse and shape the reception of a technology. We consider the intertextual nature of the relationship between religious language, imagery and technology and demonstrate how this creates a unique interaction between technology fans and bloggers, news media and even corporate advertising. Our analysis of the {\textquoteleft}Jesus phone{\textquoteright} clarifies how different groups may appropriate the language and imagery of another to communicate very different meanings and intentions. Intertextuality serves as a framework to unpack the deployment of religion to frame technology and meanings communicated. We also reflect on how religious language may communicate both positive and negative aspects of a technology and instigate an unintentional trajectory in popular discourse as it is employed by different audiences, both online and offline.},
	url = {https://journals.sagepub.com/doi/10.1177/1461444810362204},
	author = {Campbell, Heidi A. and La Pastina, Antonio C.}
}
@article {87,
	title = {How the iPhone became divine: Blogging, religion and intertextuality},
	journal = {New Media and Society},
	volume = {12},
	year = {2010},
	pages = {1191-127},
	abstract = {This article explores the labeling of the iPhone as the {\textquoteleft}Jesus phone{\textquoteright} in order to demonstrate how religious metaphors and myth can be appropriated into popular discourse and shape the reception of a technology. We consider the intertextual nature of the relationship between religious language, imagery and technology and demonstrate how this creates a unique interaction between technology fans and bloggers, news media and even corporate advertising. Our analysis of the {\textquoteleft}Jesus phone{\textquoteright} clarifies how different groups may appropriate the language and imagery of another to communicate very different meanings and intentions. Intertextuality serves as a framework to unpack the deployment of religion to frame technology and meanings communicated. We also reflect on how religious language may communicate both positive and negative aspects of a technology and instigate an unintentional trajectory in popular discourse as it is employed by different audiences, both online and offline. },
	keywords = {blogs, cell phone, fandom, intertexuality, iPhone, Jesus phone, religion, religious discourse, technology},
	url = {http://nms.sagepub.com/content/12/7/1191},
	author = {Heidi Campbell and Antonio LaPastina}
}
@book {263,
	title = {Halos and avatars: Playing (video) games with God},
	year = {2010},
	publisher = {Westminster Press.},
	organization = {Westminster Press.},
	address = {Louisville},
	abstract = {Craig Detweiler{\textquoteright}s collection of up-to-the-minute essays on video games{\textquoteright} theological themes (and yes, they do exist!) is an engaging and provocative book for gamers, parents, pastors, media scholars, and theologians--virtually anyone who has dared to consider the ramifications of modern society{\textquoteright}s obsession with video games and online media. Together, these essays take on an exploding genre in popular culture and interpret it through a refreshing and enlightening philosophical lens.},
	keywords = {avatars, God, Halo, video games},
	url = {http://books.google.com/books?id=GomyEvcocJsC\&printsec=frontcover$\#$v=onepage\&q\&f=false},
	author = {Deitweiler, Craig}
}
@article {135,
	title = {Hyper-fundamentalism? Mediating Islam from the halal website to the Islamic talk show},
	journal = {Journal of Arab and Muslim Media Research},
	year = {2008},
	abstract = {Islam is going through a fundamental diffusion of religious knowledge and authority. Media technologies like the Web and satellite television are facilitating the emergence of a new breadth of Islam in the public sphere in Muslim societies and amongst Muslims in diaspora. Deeply influenced by the global and local dynamics of consumer culture, the proponents of this new Islam are more media-savvy and less dogmatic on how Islam should be mediated than their conservative counterparts. Unlike in the politically engaged Islam, the architects of this new trend are younger Muslims with more business skills than religious knowledge. From websites advertising the latest fashions in Islamic dress and others offering halal versions to non-Islamic foods such as the Italian Salami, the German Sausage or McDonald{\textquoteright}s burger to television shows encouraging Muslims to use their religion as a success formula for spiritual self-fulfillment and material achievement, the new economic liberalism of Islam is certainly modern in its mediation, but is its substance as liberal as the form? 
This paper examines how the new religious media are constructing the image of the modern Muslim and what kind of religious identities and subjectivities emerge as a result of a purely material consumption that is religiously committed. My analysis is based on a textual analysis of a popular Islamic television show on Iqra{\textquoteright}, a 24-hour Saudi religious channel that prides itself in being the first Islamic entertainment },
	keywords = {Islam, satellite television, new media, Islamic authority, consumer culture, Amr Khaled},
	url = {http://citation.allacademic.com/meta/p_mla_apa_research_citation/2/9/9/9/1/pages299913/p299913-1.php},
	author = {Echchaibi, Nabil}
}
@book {1272,
	title = {The Handbook of Internet Studies},
	year = {2011},
	publisher = {Blackwell Publishing},
	organization = {Blackwell Publishing},
	abstract = {The Handbook of Internet Studies brings together scholars from a variety of fields to explore the profound shift that has occurred in how we communicate and experience our world as we have moved from the industrial era into the age of digital media. 

Presents a wide range of original essays by established scholars in everything from online ethics to ways in which indigenous peoples now use the Internet
Looks at the role of the internet in modern societies, and the continuing development of internet studies as an academic field
Explores Internet studies through history, society, culture, and the future of online media
Provides introductory frameworks to ground and orientate the student, while also providing more experienced scholars with a convenient and comprehensive overview of the latest trends and critical directions in the many areas of Internet researc},
	keywords = {digital media, frameworks, internet, Research},
	url = {http://onlinelibrary.wiley.com/book/10.1002/9781444314861},
	author = {Mia Consalvo (Ed.) and Charles Ess (Ed.)}
}
@article {2828,
	title = {Hybrid Muslim identities in digital space: The Italian blog Yalla},
	journal = {Social Compass},
	year = {2017},
	abstract = {Islam is often regarded as being incompatible with European values. In Italy, for example, anti-Islamic points of view reiterate the religion{\textquoteright}s alleged inconsistency with Catholicism and secularism. This article argues that narrative practices can challenge this idea by articulating Muslim hybrid identities that are compatible with Italian culture and society. The second-generation blog Yalla Italia represents a {\textquoteleft}third space{\textquoteright} where young Italian Muslims contrast dominant media stereotypes, thereby creating {\textquoteleft}disruptive flows of dissent{\textquoteright}. A textual analysis of the blog and interviews with some of the bloggers reveal that three main topics are employed to overcome marginalization: (1) critiques of mainstream media (2) narratives about family lives and the practice of Islam, and (3) advocacy of a quicker procedure for gaining Italian citizenship. The bloggers adopt a storytelling style to press for social and institutional change and explain how they succeed in adapting Islam to Italian society. Their religious diversity is thus perceived as providing a potential for Italy, rather than being a mark of marginalization.
},
	keywords = {internet, Islam, Italy},
	url = {https://journals.sagepub.com/doi/full/10.1177/0037768617697911},
	author = {Evolvi, Giulia}
}
@article {2799,
	title = {Hate in a Tweet: Exploring Internet-Based Islamophobic Discourses},
	journal = {Religions},
	year = {2018},
	abstract = {Islamophobia is the unfounded hostility against Muslims. While anti-Muslim feelings have been explored from many perspectives and in different settings, Internet-based Islamophobia remains under-researched. What are the characteristics of online Islamophobia? What are the differences (if any) between online and offline anti-Muslim narratives? This article seeks to answer these questions through a qualitative analysis of tweets written in the aftermath of the 2016 British referendum on European Union membership (also known as {\textquotedblleft}Brexit{\textquotedblright}), which was followed by a surge of Islamophobic episodes. The analysis of the tweets suggests that online Islamophobia largely enhances offline anti-Islam discourses, involving narratives that frame Muslims as violent, backward, and unable to adapt to Western values. Islamophobic tweets also have some peculiar characteristics: they foster global networks, contain messages written by so-called {\textquotedblleft}trolls{\textquotedblright} and {\textquotedblleft}bots,{\textquotedblright} and contribute to the spreading of {\textquotedblleft}fake news.{\textquotedblright} The article suggests that, in order to counteract online Islamophobia, it is important to take into account the networked connections among social media, news media platforms, and offline spaces.},
	url = {https://www.mdpi.com/2077-1444/9/10/307/htm},
	author = {Evolvi, Giulia}
}
@inbook {189,
	title = {The House of Netjer: A New Religious Community Online},
	booktitle = {Religion Online: Finding Faith on the Internet},
	year = {2004},
	pages = {107-121},
	publisher = {Routledge},
	organization = {Routledge},
	address = {New York},
	abstract = {After sex, religion is one of the most popular and pervasive topics of interest online, with over three million Americans turning to the internet each day for religious information and spiritual guidance. Tens of thousands of elaborate websites are dedicated to every manner of expression. Religion Online provides an accessible and comprehensive introduction to this burgeoning new religious reality, from cyberpilgrimages to neo-pagan chatroom communities. A substantial introduction by the editors presenting the main themes and issues is followed by sixteen chapters addressing core issues of concern such as youth, religion and the internet, new religious movements and recruitment, propaganda and the countercult, and religious tradition and innovation. The volume also includes the Pew Internet and American Life ProjectExecutiveSummary, the most comprehensive and widely cited study on how Americans pursue religion online, and Steven O{\textquoteright}Leary{\textquoteright}s field-defining Cyberspace as SacredSpace.},
	url = {http://books.google.ca/books?id=iS80IHp0cDwC\&printsec=frontcover$\#$v=onepage\&q\&f=false},
	author = {Krogh, Marilyn C. and Pillfant, Ashley}
}
@inbook {153,
	title = {Holy Pirates: Media, Ethnicity and Religious Renewal in Israel},
	booktitle = {Religion, Media \& the Public Sphere},
	year = {2006},
	pages = {91-111},
	publisher = {Indiana University Press},
	organization = {Indiana University Press},
	address = {Bloomington, IN},
	abstract = {"... one of those rare edited volumes that advances social thought as it provides substantive religious and media ethnography that is good to think with."{\textemdash}Dale Eickelman, Dartmouth College Increasingly, Pentecostal, Buddhist, Muslim, Jewish, Hindu, and indigenous movements all over the world make use of a great variety of modern mass media, both print and electronic. Through religious booklets, radio broadcasts, cassette tapes, television talk-shows, soap operas, and documentary film these movements address multiple publics and offer alternative forms of belonging, often in competition with the postcolonial nation-state. How have new practices of religious mediation transformed the public sphere? How has the adoption of new media impinged on religious experiences and notions of religious authority? Has neo-liberalism engendered a blurring of the boundaries between religion and entertainment? The vivid essays in this interdisciplinary volume combine rich empirical detail with theoretical reflection, offering new perspectives on a variety of media, genres, and religions.},
	url = {http://books.google.com/books?id=bU7eHrQyHsUC\&pg=PA91\&lpg=PA91\&dq=Holy+Pirates:+Media,+Ethnicity+and+Religious+Renewal+in+Israel\&source=bl\&ots=iorCcB4re4\&sig=YbbmrHglY9hfIwlAzCTS6ZvayEU\&hl=en\&ei=HnuwTpffNselsAKn2cW9AQ\&sa=X\&oi=book_result\&ct=result\&resnum=},
	author = {Lehamann, David and Siebzehner, Batia}
}
@article {2709,
	title = {How do Muslim women who wear the niqab interact with others online? A case study of a profile on a photo-sharing website},
	journal = {New Media \& Society},
	year = {2017},
	abstract = {This article identifies a gap in extant literature on women who wear the niqab and their representations in {\textquoteleft}traditional{\textquoteright} media: there are few academic sources that draw from these women{\textquoteright}s own narratives. In order to address this gap, this article highlights niqabis{\textquoteright} self-representations in the form of photographic self-portraits published in new media and demonstrates a variety of positive ways in which these self-portraits are received by the audiences. The article is based on a case study of a profile of a prolific author who posts and discusses her work on a popular photo-sharing website. It throws light on contextualised and relational interpretations of the niqab and its meaning and at the same time challenges a common perception that non-Muslim audiences are uniformly critical of women who wear the niqab. Data analysis of the data so far indicates that women who wear the niqab exercise their agency by making visual references to the everyday and successfully establish dialogue and intimacy with their audiences. It is suggested that new media settings are particularly important in researching {\textquoteleft}niqab experiences{\textquoteright}, as they foster a variety of relevant data types and narratives driven by participants, rather than researchers.},
	url = {https://journals.sagepub.com/doi/abs/10.1177/1461444816649919},
	author = {Piela, Anna}
}
@inbook {2135,
	title = {How to Study Religion and Video Gaming - A Critical Discussion },
	booktitle = {Methods for Studying Video Games and Religion},
	volume = {3},
	year = {2017},
	publisher = {Routledge },
	organization = {Routledge },
	abstract = {Game studies has been an understudied area within the emerging field of digital media and religion. Video games can reflect, reject, or reconfigure traditionally held religious ideas and often serve as sources for the production of religious practices and ideas. This collection of essays presents a broad range of influential methodological approaches that illuminate how and why video games shape the construction of religious beliefs and practices, and also situates such research within the wider discourse on how digital media intersect with the religious worlds of the 21st century. Each chapter discusses a particular method and its theoretical background, summarizes existing research, and provides a practical case study that demonstrates how the method specifically contributes to the wider study of video games and religion. Featuring contributions from leading and emerging scholars of religion and digital gaming, this book will be an invaluable resource for scholars in the areas of digital culture, new media, religious studies, and game studies across a wide range of disciplines.},
	keywords = {religion, video games},
	issn = {9781138698710},
	url = {https://books.google.com/books?hl=en\&lr=\&id=dJxADwAAQBAJ\&oi=fnd\&pg=PT295\&ots=KqNH4Zgwjv\&sig=9ukURAVWgz97H3PGhv2etObsjKw$\#$v=onepage\&q\&f=false},
	author = {Radde-Antweiler, K}
}
@inbook {420,
	title = {Hierarchy and power: social control in cyberspace},
	booktitle = {Communities in Cyberspace},
	year = {1999},
	pages = {107-133},
	publisher = {Routledge},
	organization = {Routledge},
	address = {London \& New York},
	abstract = {This wide-ranging introductory text looks at the virtual community of cyberspace and analyses its relationship to real communities lived out in today{\textquoteright}s societies. Issues such as race, gender, power, economics and ethics in cyberspace are grouped under four main sections and discussed by leading experts: * identity * social order and control * community structure and dynamics * collective action. This topical new book displays how the idea of community is being challenged and rewritten by the increasing power and range of cyberspace. As new societies and relationships are formed in this virtual landscape, we now have to consider the potential consequences this may have on our own community and societies. Clearly and concisely writtenwith a wide range of international examples, this edited volume is an essential introduction to the sociology of the internet. It will appeal to students and professionals, and to those concerned about the changing relationships between information technology and a society which is fast becoming divided between those on-line and those not.},
	url = {http://books.google.com/books?id=210IkjyN8gEC\&printsec=frontcover$\#$v=onepage\&q\&f=false},
	author = {Reid, E}
}
@book {391,
	title = {Holy mavericks: evangelical innovators and the spiritual marketplace},
	year = {2009},
	publisher = {New York University Press},
	organization = {New York University Press},
	address = {New York},
	abstract = {Joel Osteen, Paula White, T. D. Jakes, Rick Warren, and Brian McLaren pastor some the largest churches in the nation, lead vast spiritual networks, write best-selling books, and are among the most influential preachers in American Protestantism today. Spurred by the phenomenal appeal of these religious innovators, sociologist Shayne Lee and historian Phillip Luke Sinitiere investigate how they operate and how their style of religious expression fits into America{\textquoteright}s cultural landscape. Drawing from the theory of religious economy, the authors offer new perspectives on evangelical leadership and key insights into why some religious movements thrive while others decline. Holy Mavericksprovides a useful overview of contemporary evangelicalism while emphasizing the importance of "supply-side thinking" in understanding shifts in American religion. It reveals how the Christian world hosts a culture of celebrity very similar to the secular realm, particularly in terms of marketing, branding, and publicity. Holy Mavericksreaffirms that religion is always in conversation with the larger society in which it is embedded, and that it is imperative to understand how those religious suppliers who are able to change with the times will outlast those who are not.},
	url = {http://books.google.com/books?id=OC__qJdUgeMC\&printsec=frontcover$\#$v=onepage\&q\&f=false},
	author = {Lee S.L. and Sinitiere P.L.}
}
@inbook {1179,
	title = {Hindu Worship Online and Offline},
	booktitle = {Digital Religion: Understanding Religious Practice in New Media Worlds},
	year = {2013},
	publisher = {Routledge},
	organization = {Routledge},
	chapter = {8},
	keywords = {cyberspace, Hindu, New Media and Society, New Technology and Society, Religion and the Internet, religious engagement, Sociology of religion},
	author = {Heinz Scheifinger}
}
@book {167,
	title = {Habits of the High-Tech Heart. },
	year = {2002},
	publisher = {Baker Academic},
	organization = {Baker Academic},
	address = {Grand Rapids, MI},
	url = {http://www.acton.org/sites/v4.acton.org/files/pdf/6.1.264-266.REVIEW.Schultze,\%20Quentin--Habits\%20of\%20the\%20High-Tech\%20Heart.pdf},
	author = {Schultze, Quentin}
}
@book {2791,
	title = {Hybrid Media Events: The Charlie Hebdo Attacks and the Global Circulation of Terrorist Violence},
	year = {2018},
	publisher = {Emerald Publishing Limited},
	organization = {Emerald Publishing Limited},
	abstract = {What are hybrid media events? Who creates them and what kind of purpose do they serve in contemporary societies? This book addresses these questions by re-thinking media events in the contemporary digital media environment saturated by intensified circulation of radical violence. The empirical analyses draw on the investigation of the Charlie Hebdo attacks in Paris, in 2015 and the global responses those attacks stirred in the media audience.

This book provides a new way of thinking about the idea of the hybrid in global media events. The authors give special emphasis to the hybrid dynamics between the different actors, platforms and messages in such events, explaining how global news media, terrorists and political elites interact with ordinary media users in social media. It demonstrates how tweets such as "Je suis Charlie" circulate from one digital media platform to another and what kind of belongings are created in those circulations during the times of distraction. In addition, the book examines how emotions, speed of communication and fight for attention become hybridized in the digital media. All these aspects, the authors argue, shape the ways in which we make sense of global media events in the present digital age.

The authors invite readers to critically reflect the technological, economical, political and socio-cultural challenges connected with today{\textquoteright}s global media events and the ethical encounters they may entail.},
	isbn = {978-1-78714-852-9},
	doi = {10.1108/9781787148512},
	url = {https://www.researchgate.net/publication/324922193_Hybrid_Media_Events_The_Charlie_Hebdo_Attacks_and_the_Global_Circulation_of_Terrorist_Violence},
	author = {Sumiala, Johanna and Valaskivi, Katja and Tikka, Minttu and Huhtam{\"a}ki, Jukka}
}
@article {2712,
	title = {Hijab Online: The Fashioning of Cyber Islamic Commerce},
	journal = {Interventions},
	year = {2010},
	abstract = {This essay looks at the world of cyber Islamic commerce and the marketing of new forms of hijab through tracing the connections between the British Muslim entrepreneur Wahid Rahman who runs a website called HijabShop.com and the Dutch designer Cindy van den Bremen, designer of a new form of sports head covering known as Capsters. It considers the lifestyles of these two individuals, their diverse philosophies and their personal involvement in the promotion of Islamic fashion for women and how cyberspace has provided them with an opportunity for a business partnership. The essay explores some of the representational challenges inherent in the reframing of hijab as fashion, showing how those involved in this niche market navigate complex tensions between different Muslim interpretations of the relationship between beauty and modesty, fashion and faith.},
	url = {https://www.tandfonline.com/doi/abs/10.1080/1369801X.2010.489695},
	author = {Tarlo, Emma}
}
@article {896,
	title = {Hope and Sorrow: Uncivil Religion, Tibetan Music Videos, and YouTube},
	journal = {Ethnos: Journal of Anthropology },
	year = {2013},
	abstract = {Tibetan activists and their supporters are interpreting the lyrical and visual symbolism of contemporary Tibetan music videos from China as a call for Tibetans to return to a shared Tibetan identity, centered around religious piety and implied civil disobedience, in order to counter fears of cultural assimilation. As the popularity of some videos on social-networking sites dovetailed with the 2008 protests in Tibet, viewers employed a progressive hermeneutical strategy which demanded a sectarian political interpretation of the lyrics and imagery of the most popular videos out of Tibet. Within China, Tibetans have begun to add these videos to the growing canon of an emerging uncivil religion, which emphasizes Tibetan cultural, linguistic, and religious autonomy within China. Through comparing online and offline ethnography, this article explores the relationship between offline and online worlds and the connections between Tibetans in China and their supporters.},
	keywords = {China, media, Music, religion, Tibet, YouTube},
	doi = {10.1080/00141844.2012.724433},
	url = {http://www.tandfonline.com/doi/abs/10.1080/00141844.2012.724433},
	author = {Cameron David Warner}
}
@article {2699,
	title = {Humor and Identity on Twitter: $\#$muslimcandyheartrejects as a Digital Space for Identity Construction},
	journal = {Journal of Muslim Minority Affairs},
	year = {2016},
	abstract = {Through examining the hashtag $\#$muslimcandyheartrejects, a one-time, short-term, joke hashtag used on Twitter among a group of Muslim tweeters in 2012, we argue that members of Muslim digital diaspora communities use social media to construct and reinforce a Muslim diaspora identity. The architecture of Twitter provides the structure for these engagements, while humor serves meaning-making, cohesion building, and tension-relief functions within the conversation. The conversation itself combines a variety of topics to both describe Muslim identity in diaspora and to critique both Muslim community practices and conditions for Muslims in non-Muslim countries.},
	url = {https://www.tandfonline.com/doi/abs/10.1080/13602004.2016.1153825},
	author = {Wills, Emily Regan and Fecteau, Andr{\'E}}
}
@article {3024,
	title = {How algorithmic cultural recommendations influence the marketing of cultural collections},
	journal = {Consumption Markets \& Culture},
	year = {2017},
	abstract = {Museums make their collections available online to keep pace with developments in how people access and share information. While museums have traditionally understood the notion of public access as part of their institutional remit, in this paper I draw on policy documents and qualitative interviews with Australasian cultural professionals, to examine how the discourse of access might account for the museum{\textquoteright}s transformation from a community space to a resource that is beneficial to marketers. I use Google Arts \& Culture as a case study, to suggest the terms of public access have altered to adapt to the needs of commercial {\textquotedblleft}digital enclosures.{\textquotedblright} When people engage with the museum in virtual spaces data are collected. Algorithms work as a set of instructions that make it possible to search, sort and organise the data, linking together people and their online practices in order to enact a form of algorithmic cultural recommendation.},
	url = {https://www.tandfonline.com/doi/abs/10.1080/10253866.2017.1331910?journalCode=gcmc20},
	author = {Wilson-Barnao, C.}
}
